Who We Help
Artists, artisans, vendors, and venues. Renaissance Faire community first. The broader artistic community in scope too.
If you’re working in any of the four roles below — and you’re losing time, leads, or sanity to the digital and operational side of the craft — you’re who we built this for.
The four roles
- Artists — solo performers (fire-and-flow, jugglers, musicians, magicians), troupes (jousting, theatrical, dance), painters, illustrators, writers, photographers, anyone whose craft is the performance or the made image.
- Artisans — smiths, glassblowers, leatherworkers, jewelers, woodworkers, costumers, weavers, potters, instrument makers, anyone who makes a thing with their hands and sells it.
- Vendors — booth operators, food and drink purveyors, merch sellers, retail operators on the festival circuit or the convention circuit.
- Venues — Renaissance Faire organizers, festival operators, historical-reenactment event runners, recurring living-history sites, performance spaces that book talent.
Concrete examples
None of these are anyone in particular — they’re patterns we see.
- A solo fire-and-flow performer with a 2009 brochureware site and a Bravenet form that’s been broken for two years.
- A two-person leather-goods booth losing booking emails to spam.
- A jousting troupe trying to build a press kit for a new venue.
- A musician whose newsletter form has been broken for two years.
- An illustrator who has never registered a copyright and has had work pirated more than once.
- A festival owner trying to pull an outreach list for next season’s auditions.
- A small Renaissance faire whose volunteer cast coordinator is drowning in audition spreadsheets.
- A glassblower who books two months out and loses the prospect who messaged on a Tuesday because they didn’t see the email until Friday.
- A historical-reenactment vendor who needs a Square setup, a mailing list, and a way to take pre-orders before the next event weekend.
Beyond Renfaire
The Renaissance Faire community is our anchor — that’s the network we know best, the audience we’ve been part of for thirty years. The platform serves the broader artistic community working in the same modes: makers selling at festivals, performers booking themselves between gigs, recurring events that need digital infrastructure they can’t justify paying an agency for. If you fit the pattern, you fit the audience.
If that sounds like you or someone you know, send them our way. Free.